Jump'In Brand Spotlight: French Equestrian Tack Since 1990

Some tack brands are marketing companies that happen to sell leather. Jump'In reads as the opposite: a straightforward French saddlery that names its collections after cities and weekdays, files its bits under coded references the way an engineer would, and runs under the tagline "Made with Savoir-Faire". The brand was created in 1990 and works out of a single address, 47 rue du Moulin in Fiennes, a small Pas-de-Calais village a short drive from the Channel coast, in the heart of French show jumping country.

Before you spend anything, one thing worth knowing: Jump'In chooses its leathers per collection, not per brand. The Origin range is built on premium Italian leather, while the Week Collection uses high-quality English full-grain. A blanket "it's all made in France" or "it's all English leather" claim would be easier to market, but it wouldn't help you pick the right bridle, so this guide keeps the leathers straight collection by collection.

What's on the shelves matters too. At iRide EQ the Jump'In catalogue runs to 490 products: bridles from every family, more than 240 bits, reins, breastplates, girths, halters, spur straps and browbands, plus a line of AIRTEC riding jackets for the rider. This article walks through the bridle families, the bit system, the Jumpad pads and where the range fits an Australian tack room, with the flagship pieces and their local prices in AUD.

A French Saddle House Since 1990

Jump'In was created in 1990, which puts it in an interesting generation of French equestrian brands: old enough to have a genuine saddlery culture, young enough to have grown up with modern manufacturing rather than being dragged into it. The company still runs from Fiennes, and the "Made with Savoir-Faire" tagline is a fair description of how the range is organised. Stitching is finished rather than left raw, edges are trimmed, and even the smallest items, browbands, spur straps, martingale straps, get the same leather and hardware as the show bridles.

What I find genuinely unusual is the bit catalogue. Rather than a vague promise of "something for every horse", Jump'In maintains a numbered reference system with more than 240 combinations of mouthpiece and cheekpiece in sweet iron, copper, German silver, rubber, leather-covered and foam MPA versions. You can, quite literally, order a bit by its code the way you'd order a part for a car. For a rider working through a specific contact problem with a coach, that depth matters.

The reality is that not every product line suits every buyer, and the Jump'In range is deep enough that guessing is a bad strategy. Know the collection names before you shop, and match the leather to the work the bridle actually does. A paddock bridle that gets hosed weekly and a competition bridle carried in a bag have different lives.

Three Bridle Families: One Collection, Origin and Week

The bridle range splits into three families, and the differences are practical rather than marketing frosting.

The One Collection is the city series. Noseband pieces and bridles are named after cities: New York, London, Bruxelles, Paris. The Paris Bridle is the entry point at $312, a clean, understated flat-profile bridle that photographs well and won't look out of place at a local Ag show or an EA-affiliated class. One step up, the One Collection Premium sharpens the look, and the Clincher Bridle at $503 is the pick of that tier: a clincher-style detail along the cheekpieces that catches light without tipping into costume.

The Origin range is the showpiece tier, built on premium Italian leather. This is the collection to look at if your bridle lives most of the year in a padded bag and comes out for Championships. The Carat line runs through the range, and the name resurfaces in the saddle pad family further down. The Italian leather reads dressier than the English full-grain of the Week bridles, with a finer grain and a deeper shine after conditioning.

The Week Collection is where my own money goes, and I'd argue it's the honest heart of the range. English full-grain leather, bridles named after weekdays, and a straightforward brief: gear you can use every single day without wincing. The Wednesday Bridle at $719 and the Tuesday Bridle at $623 are the two I see most often in Australian tack rooms. At the top of the family sits the Crystal Bridle at $887, crystal-detailed and unmistakably a big-day bridle. The Week family also runs to Summer and Hackamore pieces, so there's coverage well past the classic snaffle look.

For dressage riders the Megève Double Bridle at $479 from the One Collection is worth a separate look. A well-fitted double is a genuinely different tool, and the Megève strips the look back to plain stitching so the horse's outline does the talking. It sits comfortably alongside our wider dressage bridle range.

Family	Leather	Naming	Entry price (AUD)	Best for
One Collection / Premium	City-series leatherwork, chrome hardware on Premium	Cities (Paris, Clincher, Megève)	From $312	Everyday showing, dressage, double bridles
Origin range	Premium Italian leather	Carat line	Top of the bridle range	Championships, showpiece tack
Week Collection	English full-grain leather	Weekdays (Tuesday, Wednesday), Crystal, Summer, Hackamore	From $623	Daily riding, workhorse bridles

Jumping Bridle With Flash Options

The phrase people actually search is "jumping bridle with flash", and Jump'In covers it across both the Week and One families, with matching flash noseband pieces so the look stays consistent with the bridle you already own. If you're browsing the broader category, our jumping bridles collection has the full spread of brands we stock.

What a flash actually does is modest, and worth stating plainly: it lightly stabilises the mouthpiece and discourages the horse from opening their mouth or crossing their jaw. It is not a substitute for a quiet hand. What I've found over the years is that a large share of horses that "need" a flash need their teeth looked at, their noseband correctly fitted, or their rider's timing fixed instead.

Two practical notes. First, fit the cavesson portion so you can slip two fingers sideways under it at the cheekbone. Gear checks at EA events do look at noseband fit, and a cranked-down flash is exactly what officials watch for. Second, if your horse goes happily in a plain cavesson, don't add a flash because the catalogue offers one. The best bridle is the plainest one your horse accepts. When in doubt about gear permitted in your discipline or level, check the current EA rulebook, which is always the source of truth rather than any article, this one included.

Reins, Breastplates and the Everyday Leatherwork

Below the showpieces sits the equipment most riders buy twice as often. The rein range runs from rubber-covered with stops, like the Rubber Reins with stops from the One Collection at $143, through hunter and Howlett styles to cotton versions, topping out around $191. Rubber with stops is a sensible default for jumping: wet Saturday, greasy leather glove, you still have a grip. Our full reins range covers the other options if you're comparing.

The breastplate story has one standout: the 2 in 1 Breastplate and Martingale at $360. The concept is exactly what the name says, a single piece that converts between configurations, which suits the rider who schools with a martingale attachment and competes without it, or vice versa. Sixteen breastplate and martingale pieces make up the range, all in the breastplates and martingales collection alongside the other brands we stock.

Girths run from the elastic versions at $215 up to the safety stud girths at $240 to $408. The everyday small goods, halters, lead ropes, spur straps, match the bridle leathers if you like a coordinated look at the float, and the girths and halters and leads collections hold the full spread. One care note from a Queensland January: humidity wins unless you wipe leather down after sweaty work and let it dry away from direct sun. Salt crust is what cracks stitching, not rain.

Best Jumping Bits: One Brand, 240+ References

This section stays deliberately at range level, because we've already written a full-length buying guide on this exact topic, and one article shouldn't try to do two jobs. The short version: Jump'In files its bits as numbered references rather than names, spanning sweet iron, copper, German silver, rubber, leather-covered and foam MPA mouthpieces across snaffle and leverage cheekpieces. All up, more than 240 references. Browse the bits collection to see them laid out, with the snaffle bits filtered separately.

Jumping Bits for Strong Horses

The honest answer to "which bit for my strong jumping horse" is that no single reference fixes a training gap, and betting on hardware before ruling out pain is the mistake I see most often. Teeth, saddle fit and back soreness first. After that, strong horses usually respond to either a changed cheekpiece geometry or more leg into the hand, not simply a sharper mouthpiece. Leverage options trade steering for head carriage, and every step up the leverage ladder should come with a step down in expectation while the horse adjusts. If you're working through specific combinations, our dedicated Jump'In bits guide walks the full reference system in detail.

The Jumpad: Saddle Pads With a Colour Habit

Saddle pads are where Jump'In lets its hair down. The Jumpad line runs to 56 pads in more than 30 colourways, built on a felt and leather construction that holds its shape under daily use. Prices run from $129 for the One Jumpad, the plain training staple, to $201 for the Carat Jumpad and $262 for the Écusson Jumpad in turquoise, glossy white and navy. If matching your browband to your pad is your kind of fun, this is your brand. The full saddle pads collection covers every other option we stock.

My advice on the loud colourways, offered with affection: turquoise is for training and photos, navy or black is for the judge's eye. Plenty of top riders keep the bright Jumpads for home and saddle up quietly on competition day. Your mileage, and your local circuit's sense of humour, may vary.

Frequently Asked Questions